Vol 11 No 2 (2024): The Natural World in the Cinema | Aniki: Portuguese Journal of the Moving Image

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Special section guest-edited by Susana Mouzinho, Maile Colbert and José Bértolo

DOI: https://doi.org/10.14591/aniki.v11n2

Published: 2024-07-25

Editorial

Editorial V11n2

Conselho Editorial

1-4
- PDF (Português (Portugal))

Essays

Portraits in Blue: Identity and nostalgia in Naomi Kawase’s Ten, Mitake (1995), and Jenni Olson’s Blue Diary (1997)

Henrique Brazão

5-28
- PDF (Português (Portugal))

Special Section

Introduction to the Special Section: The Nature in the Machine

José Bértolo, Susana Mouzinho, Maile Colbert

6-17
- PDF (Português (Portugal))
Natural Physis and Technological Sublime in Three Austrian Experimental Cinema Case Studies: Arnulf Rainer (1960), Tree Again (1978) and Train Again (2021)

Bárbara Bergamaschi Novaes

18-46
- PDF (Português (Portugal))
Three ideas towards a geocinema in Werner Herzog

Lennon Macedo, Demétrio Rocha Pereira, Cássio de Borba Lucas

47-67
- PDF (Português (Portugal))
Brazilian Nature as the Inverse of Paradise in the Film A Ilha dos Prazeres Proibidos by Carlos Reichenbach (1979)

Bruno Bello

68-89
- PDF (Português (Portugal))
Nature in Contemporary Brazilian Queer Cinema: A possible place

João Paulo Wandscheer, Miriam de Souza Rossini

90-111
- PDF (Português (Portugal))
Captured or Mediated: Soundscapes of natural and non-human resources in dystopian fiction cinema in Portugal

André Malhado

112-133
- PDF (Português (Portugal))
A Geology of Film-fossils: The survival images across time and space in the digital era

Valentin Via Vázquez

134-161
- PDF

Interviews

Attraction, Formalism and Film History: A conversation with Tom Gunning

Pablo Gonçalo, Lúcia Ramos Monteiro, Victor Cruzeiro

162-184
- PDF (Português (Portugal))
The Realism of Close (2022) and ‘the Unconscious Added Value’ of Sound in Movies: An Interview with Yanna Soentjens

Cátia Susana Machado Beato

185-199
- PDF (Português (Portugal))

Reviews

Simone de Beauvoir’s Philosophy of Ambiguity: A Contribution Towards Feminist Film-phenomenology

Graça P. Corrêa

200-205
- PDF (Português (Portugal))
Portuguese Directors: An Essential Anthology

Mónica Santana Baptista

206-214
- PDF (Português (Portugal))
The Materialities and Metamorphoses of Portuguese Cinema through Costume Design and Art Direction

Felipe Muanis

215-220
- PDF (Português (Portugal))
Filmmakers on Film: The Search for Global Perspectives

Morgana Gama

221-227
- PDF (Português (Portugal))
The Book of Lovers

Jorge Palinhos

228-232
- PDF (Português (Portugal))
Trading Zones: A third space for artistic creation and investigation

Cátia Gonçalves

234-238
- PDF (Português (Portugal))

Exhibitions and film festivals

Transver sendo: Observations on the exhibition “Caleidoscópio: Cotidiano em Movimento”, Rio de Janeiro (2023-2024)

Laís Lara

239-245
- PDF (Português (Portugal))
“If Cinema is a Weapon”: Disappearance and historical (re)imagination

Francisca Dores

246-253
- PDF (Português (Portugal))