Vol. 8 No. 2 (2021): Materiality in Portuguese Cinema: aesthetics, practices and techniques

Special section guest-edited by Caterina Cucinotta and Federico Pierotti

DOI: https://doi.org/10.14591/aniki.v8n2

Published: 2021-07-12

Editorial

• Editorial V8n2

  Conselho Editorial

  1-3

  • PDF (Português (Portugal))

Essays

• Under the Sign of Equality: Aesthetic democracy in Alain Resnais’ Hiroshima mon amour (1959)

  Isadora Meneses Rodrigues

  4-23

  • PDF (Português (Portugal))

• Ethics of Slow Cinema: Slowness and hesitation in contemporary cinema

  Eduardo Brandão Pinto

  24-47

  • PDF (Português (Portugal))

• A position taken by Brazilian cinema in urban territories (2009-2017)

  Vitor Tomaz Zan

  48-70

  • PDF (Português (Portugal))

• Filmic Transpositions of Comic Books: theorizing the relation between two languages

  Yuri Garcia

  71-101

  • PDF (Português (Portugal))

Special Section

• Analysing Materiality in Portuguese Cinema: Aesthetics and practices

  Caterina Cucinotta, Federico Pierotti

  102-111

  • PDF (Português (Portugal))

• Restoring History, Materializing the Trauma: Observations on the migrant bodies in Pedro Costa’s Cavalo Dinheiro (2014) and Vitalina Varela (2019)

  Mariana Cunha, Catarina Andrade

  112-135

  • PDF (Português (Portugal))

• Materiality and Materialism in Robert Kramer and Philip Spinelli’s Scenes from the Class Struggle in Portugal (1977-79)

  Raquel Schefer

  136-159

  • PDF (Português (Portugal))

• Materiality and Desire of Fiction: The song in four “musical moments” of Miguel Gomes’ cinema

  Agnès Pellerin

  160-186

  • PDF (Português (Portugal))

• Víctor Erice’s Vidros partidos (2012): A montage poetics

  Jesús Ramé

  187-209

  • PDF (Español (España))

• The Aesthetics of ‘Speaking Objects’ in Aniki-Bóbó’s Anthropo-cosmo-morphic Material

  Teresa Biondi

  210-234

  • PDF

Interviews

• ‘For me, the important thing is the audience’: Interview with Frédéric Bonnaud, director of Cinémathèque française

  Mickaël Robert-Gonçalves

  235-255

  • PDF (Português (Portugal))

• John Nutt: Non-semantic communication in experimental sound editing in Hollywood

  Fabiano Pereira de Souza, Rogério Ferraraz

  256-274

  • PDF (Português (Portugal))

Reviews

• New Directions for 21st-century Portuguese Cinema

  Hilary Owen

  275-280

  • PDF

• Cinema as a Social Education of the Senses

  Jesús Ramé

  281-286

  • PDF (Español (España))

• Film technique and meaning producing

  Liliana Rosa

  287-291

  • PDF (Português (Portugal))

• An approach to Cinema's Architecture

  Josefina González Cubero

  292-296

  • PDF (Español (España))

• Pedro Costa: The man (the circumstances) and his work

  André Rui Graça

  297-301

  • PDF

Exhibitions and film festivals

• Trance and Memory: Cinema in Marlene Monteiro Freitas’ dance

  Ana Cristina Pereira

  302-309

  • PDF (Português (Portugal))