Vol 4 No 1 (2017): Landscape and cinema | Aniki: Portuguese Journal of the Moving Image

Skip to main content Skip to main navigation menu Skip to site footer

Thematic dossier guest-edited by Filipa Rosário and Iván Villarmea Álvarez

Published: 2017-01-19

Editorial

Editorial #7

Tiago Baptista, Susana Viegas, Maria do Carmo Piçarra, Teresa Castro, Carlos Eduardo Natálio

1-4
- PDF (Português (Portugal))

Essays

'The Strange Case of Angelica': affinity between Fantastic and Documental

Rita Benis

5-26
- PDF (Português (Portugal))
Cartographies of memory in Chris Marker and W.G. Sebald: Notes about History, memory and maps

Álvaro Brito

27-54
- PDF (Português (Portugal))

Special Section

Landscape in Cinema: Images to Think Time through Space

Filipa Rosário, Iván Villarmea Álvarez

55-63
- PDF (Português (Portugal))
The landscape background: a reading of landscape in Russian and Soviet cinema from the concept of background as aesthetic category

Carlos Muguiro

64-90
- PDF (Español (España))
The revisitation of landscape in Manuel Guimarães’ feature films

Tiago Vieira da Silva

91-107
- PDF (Português (Portugal))
Psychological landscape films: narrative and stylistic approaches

David Melbye

108-132
- PDF
Under the sign of the provisional: a director among three cities

Daniela Giovana Siqueira

133-152
- PDF (Português (Portugal))
Looking at the sky, hearing the earth: notes on body, memory and landscape in James Benning’s and Cao Guimarães’ films

Ana Costa Ribeiro

153-169
- PDF (Português (Portugal))
Memories in Present Tense: Affect and Spectrality in Contemporary Aquatic Imaginaries

Irene Depetris Chauvin

170-190
- PDF (Español (España))

Interviews

“More real than reality”: an interview with James Benning

José Bértolo, Susana Nascimento Duarte

191-206
- PDF

Reviews

Researching slowness

Daniel Ribas

207-212
- PDF (Português (Portugal))
Missed opportunity

Paulo Cunha

213-214
- PDF (Português (Portugal))
Nothing but images: the International Seminar of Archive Documentary – Archives in Motion

Beatriz Rodovalho Gonçalves

215-221
- PDF (Português (Portugal))

Exhibitions and film festivals

‘Joined together there is power, sister’: Re-viewing feminist work from the London Film-makers’ Co-operative

Sophie Mayer, Selina Robertson

222-229
- PDF
In the Presence of Cinema's Technical History

Tatiana Monassa

230-235
- PDF (Português (Portugal))
'Encore un film'. A tour through the exhibition '4.56.20' de João Tabarra

Marta Ponsa

236-240
- PDF (Español (España))