Vol 11 No 1 (2024): Cinema and Revolution: Celebrating the 50th Anniversary of the Carnation Revolution | Aniki: Portuguese Journal of the Moving Image

Skip to main content Skip to main navigation menu Skip to site footer

Special section guest-edited by Mickaël Robert-Gonçalves, Nicole Brenez and Bani Khoshnoudi

DOI: https://doi.org/10.14591/aniki.v11n1

Published: 2024-01-30

Editorial

Editorial

Conselho Editorial

1-4
- PDF (Português (Portugal))

Essays

Three Tragic Characters from World War II Tumble into the Landscape

Susana Dobal

5-27
- PDF (Português (Portugal))
Sound in the Mise-en-Scène of Contemporary Brazilian Documentary: An analysis of Aracati (2016)

Raquel Salama Martins, José Francisco Serafim

28-49
- PDF (Português (Portugal))
A National Cinema with International Projection: António Lopes Ribeiro in the 1930s and 1940s

Carla Ribeiro

50-80
- PDF (Português (Portugal))

Special Section

Cinema and Revolution: Fifty years after the Carnation Revolution

Mickaël Robert-Gonçalves, Nicole Brenez, Bani Khoshnoudi

81-90
- PDF
La reprise du travail aux usines Wonder (1968): A revolutionary film?

Leonardo Esteves

91-113
- PDF (Português (Portugal))
Kidlat Tahimik’s “Third World Projector”: Revolution, subjetivity and voice in Why is Yellow the Middle of the Rainbow? (1994)

Bruno Camacho Leal

114-131
- PDF (Português (Portugal))
“Primus inter pares: Making or distributing films, we were all equal”: Practices and discourses of the Catalan Cooperativa de Cinema Alternatiu (1975-1981)

Ana Algarra Navarro

132-154
- PDF (Português (Portugal))
The Media Offsprings of the Romanian Revolution: A comparative analysis

Liri-Alienor Chapelan

155-179
- PDF
Capital’s Appropriation of the Revolutionary Figure: An analysis of Marighella (2019)

Jailson Ramos

180-203
- PDF (Português (Portugal))

Interviews

Jacques Kebadian, From One Revolution to Another

Cyrus Boyer, Nicole Brenez

204-223
- PDF
The Reflective Activity Is a Way To Try and Give a Proper Name To The Things We Intuit: An interview with José Bogalheiro

Carlos Natálio

224-242
- PDF (Português (Portugal))

Reviews

Thinking About Portuguese Colonial Cinema

Inês Ponte

243-248
- PDF (Português (Portugal))
Society Through Ida Lupino’s Eyes: Social aspects and their complexities

Lílian Silva

249-254
- PDF (Português (Portugal))

Exhibitions and film festivals

At the Crossroads of the Fictional and the Real: The Carlos Reichenbach retrospective at Doclisboa

Guiomar Ramos

255-260
- PDF (Português (Portugal))