Vol. 11 No. 1 (2024): Cinema and Revolution: Celebrating the 50th Anniversary of the Carnation Revolution

Special section guest-edited by Mickaël Robert-Gonçalves, Nicole Brenez and Bani Khoshnoudi

DOI: https://doi.org/10.14591/aniki.v11n1

Published: 2024-01-30

Editorial

• Editorial

  Conselho Editorial

  1-4

  • PDF (Português (Portugal))

Essays

• Three Tragic Characters from World War II Tumble into the Landscape

  Susana Dobal

  5-27

  • PDF (Português (Portugal))

• Sound in the Mise-en-Scène of Contemporary Brazilian Documentary: An analysis of Aracati (2016)

  Raquel Salama Martins, José Francisco Serafim

  28-49

  • PDF (Português (Portugal))

• A National Cinema with International Projection: António Lopes Ribeiro in the 1930s and 1940s

  Carla Ribeiro

  50-80

  • PDF (Português (Portugal))

Special Section

• Cinema and Revolution: Fifty years after the Carnation Revolution

  Mickaël Robert-Gonçalves, Nicole Brenez, Bani Khoshnoudi

  81-90

  • PDF

• La reprise du travail aux usines Wonder (1968): A revolutionary film?

  Leonardo Esteves

  91-113

  • PDF (Português (Portugal))

• Kidlat Tahimik’s “Third World Projector”: Revolution, subjetivity and voice in Why is Yellow the Middle of the Rainbow? (1994)

  Bruno Camacho Leal

  114-131

  • PDF (Português (Portugal))

• “Primus inter pares: Making or distributing films, we were all equal”: Practices and discourses of the Catalan Cooperativa de Cinema Alternatiu (1975-1981)

  Ana Algarra Navarro

  132-154

  • PDF (Português (Portugal))

• The Media Offsprings of the Romanian Revolution: A comparative analysis

  Liri-Alienor Chapelan

  155-179

  • PDF

• Capital’s Appropriation of the Revolutionary Figure: An analysis of Marighella (2019)

  Jailson Ramos

  180-203

  • PDF (Português (Portugal))

Interviews

• Jacques Kebadian, From One Revolution to Another

  Cyrus Boyer, Nicole Brenez

  204-223

  • PDF

• The Reflective Activity Is a Way To Try and Give a Proper Name To The Things We Intuit: An interview with José Bogalheiro

  Carlos Natálio

  224-242

  • PDF (Português (Portugal))

Reviews

• 

  Thinking About Portuguese Colonial Cinema

  Inês Ponte

  243-248

  • PDF (Português (Portugal))

• Society Through Ida Lupino’s Eyes: Social aspects and their complexities

  Lílian Silva

  249-254

  • PDF (Português (Portugal))

Exhibitions and film festivals

• At the Crossroads of the Fictional and the Real: The Carlos Reichenbach retrospective at Doclisboa

  Guiomar Ramos

  255-260

  • PDF (Português (Portugal))