Spirit of place, spirit of face

Tatiana Monassa

doi:10.14591/aniki.v6n2.552

Tatiana Monassa Universidade Sorbonne Nouvelle - Paris 3, Département Cinéma et Audiovisuel, IRCAV, 75231, Paris

DOI: https://doi.org/10.14591/aniki.v6n2.552

Keywords: Tsai Ming-liang, spirit of place, Taiwan cinema

Abstract

"The Deserted", a short retrospective of Tsai Ming-liang's films organised by Tate Film in April 2019, showed a selected choice of titles putting in evidence his work with film on the verge of visual arts.

Author Biography

Tatiana Monassa, Universidade Sorbonne Nouvelle - Paris 3, Département Cinéma et Audiovisuel, IRCAV, 75231, Paris

Tatiana Monassa is a PhD candidate at University Paris 3- Sorbonne Nouvelle, where she gives lectures on film analysis, film theory and film critique. She is also a collaborator for the multilingual journal La Furia Umana and has edited several catalogues for film retrospectives in Brazil.

References

Bálazs, Béla. 1997. Le cinéma. Nature et évolution d’un art nouveau. Paris: Payot.

Bordeleau, Erik. 2009. “Disparaître avec Tsai Ming-liang”, in Corrado Neri, Kirstie Gormley (dir.), Taiwan Cinema/Le cinéma taiwanais. Lyon: Asiexpo.

Deleuze, Gilles e Guattari, Félix. 2004 [1980]. Mil platôs – Capitalismo e esquizofrenia, vol. 3, Rio de Janeiro: Editora 34.

Neri, Corrado. 2016. Rétro Taiwan. Le temps retrouvé dans le cinéma sinophone contemporain, capítulo VII – “Écrans passés, dispositifs futurs : Tsai Ming- liang entre cinéma et installation”. Paris: Asiathèque.