Vol. 8 No. 1 (2021): Film festivals and their socio-cultural contexts

Special section guest-edited by Aida Vallejo and Tânia Leão

DOI: https://doi.org/10.14591/aniki.v8n1

Published: 2021-01-23

Editorial

• Editorial V8n1

  Conselho Editorial

  01-03

  • PDF (Português (Portugal))

Essays

• A Cinema of the Mind: A Dança dos Paroxismos (1929) and the First French Avant-Garde

  José Bértolo

  04-26

  • PDF (Português (Portugal))

• Audiovisual Poetics of Precariousness: An analysis of the web series Leona Vingativa

  Plynio Nava, Claudiene Santos, Francisco Adelino Zurián

  27-54

  • PDF (Português (Portugal))

• The Monster and the Abnormal in José Mojica Marins’ Filmography

  Giancarlo Couto, Carlos Gerbase

  55-79

  • PDF (Português (Portugal))

Special Section

• Introduction: Film festivals and their socio-cultural contexts

  Tânia Leão, Aida Vallejo

  80-100

  • PDF (Português (Portugal))

• The First International Film Festival of Brazil (1954)

  Rafael Morato Zanatto

  101-130

  • PDF (Português (Portugal))

• Film festivals in Chile: Field configuration, film communities and cinephilia

  Maria Paz Peirano

  131-157

  • PDF (Español (España))

• Towards an Analysis of Film Festivals in Portugal: Genesis, institutionalisation and challenges

  Tânia Leão

  158-192

  • PDF (Português (Portugal))

• New Galician Cinema: critical reception and presence in festivals

  Fernando Redondo Neira

  193-218

  • PDF (Español (España))

• The Contribution of It’s All True Film Festival to the Brazilian Documentary Canon

  Juliana Muylaert

  219-244

  • PDF (Português (Portugal))

• Banlieue Films Festival (BFF): Growing Cinephilia and Filmmaking in Senegal

  Estrella Sendra

  245-272

  • PDF

Interviews

• Interview with Nataša Petrešin-Bachelez, independent curator

  Raquel Schefer, Catarina Boieiro

  273-289

  • PDF (Português (Portugal))

Reviews

• Infiltrated and Invaders: A comparative perspective on class relations in Brazilian cinema

  Luana Cabral

  290-295

  • PDF (Português (Portugal))

• Remapping Portuguese contemporary cinema with feminine territories

  Ana Sofia Pereira

  296-302

  • PDF (Português (Portugal))

• Cinema Transformed

  Sérgio Dias Branco

  303-306

  • PDF

• Engagement Design: Designing for Interaction Motivations

  Rogério Jr. Correia Tavares

  307-313

  • PDF

Exhibitions and film festivals

• On Temporalities of Crisis and Puerto Rican Resistance

  Pedro Noel Doreste

  314-321

  • PDF

• Kugoma Festival 2020 (Maputo, Mozambique)

  Inês Cordeiro Dias

  322-328

  • PDF (Português (Portugal))

• Slit of affection and a certain economic fable in “Kajillionaire”

  Fabián Cevallos Vivar, Lucas Camargo de Barros

  329-335

  • PDF (Português (Portugal))