Immersion and Expanded Spectatorships: Notes on a Reinvented Field

Autores/as

  • Victor Flores Universidade Lusófona
  • Susana S. Martins Instituto de História da Arte – IN2PAST, FCSH – Universidade Nova de Lisboa

DOI:

https://doi.org/10.14591/aniki.v10n1.987

Palabras clave:

Immersion, perception, Virtual Reality, old media, agency, attention

Resumen

The special section “Immersion and expanded spectatorships” discusses how moving images have been intensely reinvented in recent virtual environments, promoting renewed forms of viewing that change and broaden the spectator’s experience. Engaging with the fact that the history of immersive media is often difficult to reconstruct and categorize clearly, the four essays here gathered reflect precisely such plurality of research lines. Simultaneously, they further demonstrate how this field has for long been shaped — and continues to be so — in a hybrid manner, through fruitful dialogues and mutual contamination.

Citas

Burnett, Ron 2013. “Transitions, Images, and Stereoscopic Cinema”. In Public 47: 3D Cinema and Beyond, edited by Dan Adler, Janine Marchessault and Sanja Obradovic, Vol. 24. Toronto: York University.

Crary, Jonathan. 2001. Suspensions of Perception. Attention, Spectacle, and Modern Culture. Massachusetts: The MIT Press.

Engberg, Maria, Bolter, Jay D. 2020. “The aesthetics of reality media”, Journal of Visual Culture 19(1): 81-95. http://doi.org/ 10.1177/1470412920906264.

Murray, Janet H. 1998. Hamlet on the Holodeck: The Future of Narrative in Cyberspace. Massachusetts: The MIT Press.

__________. 2020. “Virtual/reality: how to tell the difference”, Journal of Visual Culture 19(1): 11-27. https://doi.org/10.1177/1470412920906253.

Steinicke, Frank. 2016. Being Really Virtual. Immersive Natives and the Future of Virtual Reality. Cham: Springer.

Stephenson, Neal. 1992. Snow Crash. New York: Bantam Books.

Filmography

The Matrix [longa metragem, digital]. Real. Wachowski, Lana, Wachowski, Lilly. Warner Brothers. Estados Unidos da América, 1999. 136 min.

Publicado

2023-01-24