“The Sounds of Silent Films”: an interview with Claus Tieber and Anna K. Windisch

Autores/as

  • Manuel Deniz Silva Universidade de Aveiro, INET-md, 3810-193 Aveiro

DOI:

https://doi.org/10.14591/aniki.v5n1.409

Palabras clave:

Silent Film, Sound, Claus Tieber, Anna K. Windish

Resumen

Over the last few years, sound and music practices during the silent film period have received an increasing attention from the academic community, both in film studies and musicology. In the context of the thematic issue on “Music, sound and the moving image”, Aniki interviewed Claus Tieber and Anna K. Windish, researchers at the University of Salzburg and editors of The Sounds of Silent Films: New Perspectives on History, Theory and Practice, the proceedings of an international conference held in 2013 at Kiel University. Tieber and Windish are, respectively, principal investigator and research assistant of the project “The Sound of Silents. Sound and Music in Viennese Cinemas, 1896-1930”, funded by the Austrian Science Fund (FWF).

Biografía del autor/a

Manuel Deniz Silva, Universidade de Aveiro, INET-md, 3810-193 Aveiro

Manuel Deniz Silva is a Research Fellow at the Instituto de Etnomusicologia – Centro de Estudos de Música e Dança (Universidade de Aveiro) [Institute of ethnomusicology – center for the study of music and dance]. He holds a PhD in Musicology, coordinates the thematic strand “Music and Media” at the INET-md, and was the principal investigator of the research project “Listening to the moving images” (2010-2013), funded by the FCT. He has coedited Composing for the State: Music in 20th-Century Dictatorships (Ashgate, 2016) and is currently the editor of Kinetophone: Journal of Music, Sound and Moving Image and coeditor of the Portuguese Journal of Musicology (New Series).

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Publicado

2018-01-18

Número

Vol. 5 Núm. 1 (2018): Música e som no cinema

Sección

Entrevistas