Slit of affection and a certain economic fable in “Kajillionaire”
DOI:
https://doi.org/10.14591/aniki.v8n1.759Keywords:
strange, rift of affections, hyper capitalism, decolonization of rationalityAbstract
This work analyzes Miranda July's work, “Kajillionaire” (2020), and its epistemic insertion within the L’Etrange Film Festival, Paris, in its XXVI edition. By presenting a competitive showcase of contemporary shorts and feature films, the festival reveals a curator without boundaries in relation to the theme, genre and formal approach.
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