The Portuguese Cinema, the State, its Legislation and the Power of it

Authors

  • Sérgio Bordalo e Sá Universidade de Lisboa, Faculdade de Motricidade Humana, Instituto de Etnomusicologia – Centro de Estudos em Música e Dança, 1499-002, Cruz Quebrada – Dafundo

DOI:

https://doi.org/10.14591/aniki.v6n1.524

Keywords:

Portuguese Cinema, Legislation, New State, First Republic, Constitutional Monarchy

Abstract

Review of the book O Cinema no Discurso do Poder, by Jorge Seabra (Coimbra: Imprensa da Universidade de Coimbra, 2017).

Author Biography

Sérgio Bordalo e Sá, Universidade de Lisboa, Faculdade de Motricidade Humana, Instituto de Etnomusicologia – Centro de Estudos em Música e Dança, 1499-002, Cruz Quebrada – Dafundo

Sérgio Bordalo e Sá has a college degree in Communication’s Science from the Faculty of Social Sciences and Humanities of the New University of Lisbon (NOVA FCSH, 1998), a Master’s Degree in Film Studies from The University of Iowa (2001) and a PhD in Artistic Studies – Studies of Cinema and Audiovisual from the Humanities School of the University of Lisbon (FLUL, 2013). After finishing the PhD, he had a scholarship for one year to work in CRIA (Centre for Research in Anthropology) in an academic project of cataloguing and building a database of touristic films. Currently he has postdoctoral scholarship in INET-md (Ethnomusicology Institute – study centre in music and dance) branch of the Faculty of Human Kinetics (FMH) of the University of Lisbon, where he works in the relationship between cinema and dance.

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Published

2019-02-06

Issue

Vol. 6 No. 1 (2019): The viewing and criticism of television series

Section

Reviews