Body and Politics: Gender, Sexuality and Intimacy in "Boi Neon"
DOI:
https://doi.org/10.14591/aniki.v5n2.379Keywords:
Body, Politics, Film “Boi Neon, AestheticAbstract
This text aims to analyse political issues about bodies involved in the film “Boi Neon”, especially thinking about gender, sexuality, and intimacy. The main thesis is that cinema – images in movement – functions as a device for disseminating political and aesthetic discourses that stress corporal techniques and its subjective relationships. The film directed by Gabriel Mascaro has as a self-referentiality, presenting in its narrative the bodily hexis linked to the political relations characteristic of the cultural and economic history of the Brazilian northeast. The political practices linked to the body in the film are connected to a resignification of traditional dichotomous: male/female, human/animal, public/private.


