Cultural (de)legimitation of television serie

Authors

  • Horacio Muñoz Fernández Independent Researcher

DOI:

https://doi.org/10.14591/aniki.v5n2.365

Keywords:

TV Series, Culture, Mass culture, Art, Aesthetics

Abstract

The cultural legitimation of television series is perceived in a critical way by some authors linked to television studies. The mistrust of this process has to do with the belief that it has provoked a strengthening of cultural, class, and gender hierarchies. The arguments employed by the cultural delegitimizers of television series are, mostly, an application of Bourdieu’s sociological theories of distinction and  cultural studies. Our aim is to reveal the weaknesses of some of their arguments against this process of cultural legitimation, such as their attacks on cultural hierarchies, their apology for everything popular, and their discomfort with aesthetic.

Author Biography

Horacio Muñoz Fernández, Independent Researcher

Horacio Muñoz Fernández holds a Phd in Philosophy from the University of Salamanca, an MA in Cultural Management from the University Carlos III, and a BA in Audiovisual Communication. He is author of Posnarrativo: el cine más allá de la narración (Shangrila, 2017), has edited the book Jugar con la memoria: El cine portugués del siglo XXI (Shangrila, 2014), and has participated in Las distancias del cine (Intersecciones) (Shangrila, 2014) Pier Paolo Pasolini: una desesperada vitalidad (Shangrila, 2015), Abel Ferrara: el tormento y el éxtasis (Shangrila, 2017). Muñoz Fernández has also collaborated on the film magazine A Cuarta Parede and is Member of the Spanish Society of Aesthetics and Art Theory.

Published

2018-07-06