Yvone Kane and the representations of the African past

Authors

  • Alexsandro de Sousa e Silva Universidade de São Paulo, Faculdade de Filosofia, Letras e Ciências Humanas, 05508-010, São Paulo

DOI:

https://doi.org/10.14591/aniki.v4n2.311

Keywords:

Cinema, Angola, Mozambique, Guinea-Bissau, Identity, Social imaginary, Politics

Abstract

Review of the film retrospective Mostra África(s). Cinema e revolução: as independências de Angola, Guiné-Bissau e Moçambique, em filmes de luta e memória (Caixa Belas Artes, São Paulo, 10 a 23 de novembro de 2016).

Author Biography

Alexsandro de Sousa e Silva, Universidade de São Paulo, Faculdade de Filosofia, Letras e Ciências Humanas, 05508-010, São Paulo

Alexsandro de Sousa e Silva has a BA and a degree in History (2011) and a MA in Social History (2015) from São Paulo University. His research interests include the relations between cinema and history in Latin American and in portuguese-speaking Africa.

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Published

2017-05-27

Issue

Vol. 4 No. 2 (2017): Long duration

Section

Exhibitions and film festivals