William Brown is a Senior Lecturer in Film at the University of Roehampton, London. He is the author of Non-Cinema: Global Digital Filmmaking and the Multitude (Bloomsbury, forthcoming), Supercinema: Film-Philosophy for the Digital Age (Berghahn, 2013), and Moving People, Moving Images: Cinema and Trafficking in the New Europe (with Dina Iordanova and Leshu Torchin, St Andrews Film Studies, 2010). He also the co-editor of Deleuze and Film (with David Martin-Jones, Edinburgh University Press, 2012). He has published numerous essays in journals and edited collections, and has directed various films, including En Attendant Godard (2009), Circle/Line (2016), Letters to Ariadne (2016) and The Benefit of Doubt (2017).
This journal is published by AIM (Association of Researchers in the Moving Image) with the support of IHC (Institute of Contemporary History, FCSH-UNL) and IN2PAST, Associated Laboratory for Research and Innovation in Heritage, Arts, Sustainability, and Territory, funded with national funds through the FCT — Foundation for Science and Technology, I.P., as part of projects UIDB/04209/2020, UIDP/04209/2020, and LA/P/0132/2020. | The texts published here are subject to a Creative Commons Attribution 4.0 International License | Design: Bloco D | ISSN 2183-1750.
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