New England as landscape to female horror in The Witch
Keywords:
Cinema, Feminine Horror, American Gothic, New England, The WitchAbstract
The aim of this paper is to conduct an analysis of the film The Witch (Robert Eggers, USA, 2015) in order to demonstrate how the issue of the female autonomy in a fundamentalist Christian society and in the wild and inhospitable space of New England, builds, drives, and modulates the conventions of horror within that narrative. We will first examine how the historical and religious context of the seventeenth-century US produced families incapable of dealing with the idea of female autonomy, seen as unnatural – therefore, potentially supernatural. We will also briefly discuss how the US historical process of the XVII and XVIII centuries has given rise to a long tradition of horror stories passed in the New England region to which The Witch is also related.
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