In the Presence of Cinema's Technical History

  • Tatiana Monassa Universidade Sorbonne Nouvelle - Paris 3, Département Cinéma et Audiovisuel, IRCAV, 75231, Paris
DOI: https://doi.org/10.14591/aniki.v4n1.296
Keywords: Exhibition, Technique, Machines

Abstract

Critical overview of the exhibition ""De Méliès à la 3D. La machine cinéma" at the Cinémathèque Française. A number of studies on techniques and filmic machines are evoked and different aspects of the exhibition are critically discussed.

Author Biography

Tatiana Monassa, Universidade Sorbonne Nouvelle - Paris 3, Département Cinéma et Audiovisuel, IRCAV, 75231, Paris

Tatiana Monassa is a PhD student at the Université Sorbonne Nouvelle - Paris 3, where she teaches film analysis, film theories and criticism. She is also a regular collaborator of the journal La Furia Umana and she has edited several retrospective catalogues in Brazil.

Published
2016-12-19
Issue
Vol 4 No 1 (2017): Landscape and cinema
Section
Exhibitions and film festivals