“The portrait that you escape from”: Reassemblages of the subject in Agnès Varda’s Elsa la Rose (1966)

  • Lucas Reis ECA/USP
Keywords: Agnès Varda, Elsa Triolet, Louis Aragon, portrait, subjectivity

Abstract

This paper aims to study Agnès Varda’s short film Elsa la Rose (1966) as a portraiture operation in which the filmmaker seeks to understand how the image of writer and translator Elsa Triolet is constructed in the literary works of her husband, the poet Louis Aragon. Based on an analysis of the film's editing techniques, the essay seeks to understand how the work creates a fragmentary portrait of Elsa, shaped by historical events and the imaginative powers of her portrayer, Aragon, reinterpreting the poet's verses through the interplay with archival images, off-screen narration, and the repetition of images.

References

Aragon, Louis. 1942. Les Yeux d’Elsa. Paris: Seghers.

__________. 1963. Le Fou d'Elsa. Paris: Éditions Gallimard.

Barthes, Roland. 2018. Fragmentos de um Discurso Amoroso. São Paulo: Editora UNESP.

Bénézet, Delphine. 2014. The Cinema of Agnès Varda. Londres: Wall-flower Press.

Danks, Adrian. 2010. “Living Cinema: the ‘Demy films’ of Agnès Var-da”. Studies In Documentary Film, 4 (2): 159-172. https://doi.org/10.1386/sdf.4.2.159_1.

Davison, Claire. 1991. Art and the Artist in the Literary Works of Elsa Triolet. Leeds: University of Leeds.

Deleuze, Gilles. 1974. “Platão e o simulacro”. Em Lógica do Sentido, 259-272. São Paulo: Perspectiva.

__________. 2005. A Imagem-Tempo. São Paulo: Brasiliense.

DeRoo, Rebecca. 2018. Agnès Varda between Film, Photography, and Art. Oakland: University of California Press.

Flitterman-Lewis, Sandy. 1990. To Desire Differently: Feminism and French Cinema. Urbana: University of Illinois Press.

Foster, Hal. 1997. Compulsive Beauty. Cambridge: The MIT Press.

Gaudric, Marianne. 2020. Elsa Triolet, Naissance d'une Écrivaine. Paris: L'Harmattan.

Jardonnet, Evelyne. 2022. “Présences de la Littérature dans le Cinéma d’Agnès Varda : de La Pointe Courte à Elsa la Rose”. Recherches & Travaux, 101 (1): 1-11. http://doi.org/10.4000/recherchestravaux.5998.

Lévinas, Emmanuel. 2007. Ética e Infinito. Lisboa: Edições 70.

Mauffrey, Nathalie. 2021. La Cinécriture d'Agnès Varda: Pictura et Poesis. Aix-en-Provence: Presses Universitaires de Provence.

__________. 2014. “Portraits brisés, portraits croisés: les récits kaléi-doscopiques dans Jane B. par Agnes V., d’Agnès Varda”. Em Nar-rative Matters 2014: Narrative Knowing/Récit et Savoir, organizado por Sylvie Patron e Brian Schiff, 1-9. Paris: Université Paris Dide-rot. Acesso a 8 de março de 2025. https://hal.science/hal-01077794.

Nancy, Jean-Luc. 2000. Le Regard du Portrait. Paris: Éditions Galilée.

Stopar, Mirko. 2004. "Renée Jeanne Falconetti". Carl Theodor Dreyer (Det Danske Filminstitutet). Acesso a 18 de dezembro 2024. https://www.carlthdreyer.dk/en/carlthdreyer/about-dreyer/collaborators/renee-jeanne-falconetti.

Thierry, Nicolas. 2024. “Elsa la Rose d’Agnès Varda: du soliloque du poète à la réponse des créatrices”. Em: Elsa Triolet, une écriture plurielle, organizado por Marianne Delranc Gaudric e Geneviève Chovrelat-Péchoux, 2-27. Lausana: ERITA/Fabula. Acesso a 8 de março de 2025. https://univ-rennes2.hal.science/hal-04911813v1

Rickey, Carrie. 2024. A Complicated Passion: The Life and Work of Agnès Varda. Nova York: W. W. Norton & Company.

Triolet, Elsa. 1949. Bonsoir Thérèse. Paris: Bibliothèque française.

__________. 1965. Le Grand Jamais. Paris: Gallimard.

Van Alphen, Ernst. 2005. Art in Mind. Chicago: The University of Chi-cago Press.

Varda, Agnès. 1994. Varda par Agnès. Paris: Cahiers du Cinéma.

__________. 2014. Agnès Varda: Interviews, organizado por T. Jeffer-son Kline. Jackson: University Press of Mississippi

Wees, William. 1993. Recycled Images. New York: Anthology Film Ar-chives.

Yakhni, Sarah. 2014. Cinensaios de Agnès Varda. São Paulo: Hucitec.

Filmografia

Daguerréotypes [longa-metragem, 16mm]. Dir. Agnès Varda. Ciné-Tamaris; INA; ZDF, França, 1975. 80 min.

Documenteur [longa-metragem, 35mm]. Dir. Agnès Varda. Ciné-Tamaris, EUA/França, 1981. 63 min.

Elsa la Rose [curta-metragem, 16mm]. Dir. Agnès Varda. Ciné-Tamaris; Pathé-Cinema; Office de Radiodiffusion Télévision Française, França, 1965. 20 min.

Jacquot de Nantes [longa-metragem, 35mm]. Dir. Agnès Varda. Ciné-Tamaris, França, 1990. 118 min.

Jane B. par Agnès V. [longa-metragem, 35mm]. Dir. Agnès Varda. Ciné-Tamaris; La Sept, França, 1987. 97 min.

La Passion de Jeanne d'Arc [longa-metragem, 35mm]. Dir. Carl Theodor Dreyer. Société Générale des Films, França, 1928. 82 min.

Les Demoiselles de Rochefort [longa-metragem, 35mm]. Dir. Jacques Demy. Parc Film; Madeleine Films, França, 1967. 120 min.

L’Opéra-Mouffe [curta-metragem, 35mm]. Dir. Agnès Varda. Ciné-Tamaris, França, 1958.

L’Univers de Jacques Demy [longa-metragem, 35mm]. Dir. Agnès Varda. Ciné-Tamaris, França, 1995. 80min.

Le Bonheur [longa-metragem, 35mm]. Dir. Agnès Varda. Ciné-Tamaris; Parc-Film, França, 1965, 82 min

Les Créatures [longa-metragem, 35mm]. Dir. Agnès Varda. Parc Film; Madeleine Films, França, 1966. 105min.

Mayerling [longa-metragem, 35mm]. Dir. Anatole Litvak. Nero-Film, França, 1936. 95 min.

Oncle Yanco [curta-metragem, 16mm]. Dir. Agnès Varda. Ciné-Tamaris, EUA/França, 1967. 22 min.

Sans toit ni loi [longa-metragem, 35mm]. Dir. Agnès Varda. Ciné-Tamaris; Films A2, França, 1985. 105 min.

Published
2025-07-19