Introdução: Festivais de cinema e os seus contextos socioculturais

Palavras-chave: Festivais de cinema, contextos socioculturais, dossier temático

Resumo

Introdução ao dossier temático "Festivais de cinema e os seus contextos socioculturais".

 

Referências

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De Valck, Marijke. 2020. “Vulnerabilities and Resiliency in the Festival Ecosystem: Notes on Approaching Film Festivals in Pandemic Times”. Em Pandemic Media: Preliminary Notes Towards an Inventory, editado por Phillipp Dominik Keidl, Laliv Melamed, Vinzenz Hediger, e Antonio Somaini. Lüneburg: Meson Press. https://pandemicmedia.meson.press/chapters/space-scale/vulnerabilities-and-resiliency-in-the-festival-ecosystem-notes-on-approaching-film-festivals-in-pandemic-times/ . Acedido em Janeiro de 2021.

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Dickson, Lesley-Ann. 2017a. “Insider/ outsider positions at Glasgow Film Festival: Challenges, issues and opportunities in industry-partnered ethnographic research”. Em Film Festivals and Anthropology, editado por Aida Vallejo e María Paz Peirano, 261-276. Newcastle upon Tyne: Cambridge Scholars Publishing.

Dickson, Lesley-Ann. 2017b. “‘Beyond Film’ Experience: Festivalizing Practices and Shifting Spectatorship at Glasgow Film Festival”. Em Live Cinema: Cultures, Economies, Aesthetics, editado por Sarah Atkinson, e Helen W. Kennedy, 83-100. London: Bloomsbury Academic.

Dickson, Lesley-Ann. 2018. “Episodic Volunteer Management at Festivals: The case of Valletta Film Festival, Valetta, Malta.” Em Managing Organisational Success in the Arts, editado por David Stevenson, 147-170. Oxford: Routledge.

Dougados, Myriam, Fabiani, Jean-Louis, Gaillard, Julien e Portilla, Yonathan. 2014. “Les usages de Twitter au festival de Cannes. Pratiques numériques et construction des opinions esthétiques.” Culture & Musées 24: 89-106.

Dovey, Lindiwe. 2015. Curating Africa in the Age of Film Festivals: Film Festivals, Time, Resistance. Londres, Nueva York: Palgrave Macmillan.

Ethis, Emmanuel e Poli, Marie-Sylvie. 2014. “Hopper 2013/ Cannes 2013 au prisme des écritures numériques.” Culture & Musées 24: 63-88.

Ethis, Emmanuel. 2001. Aux marches du palais: Le festival de Cannes sous le regard des sciences sociales. Paris: La Documentation Française.

Ethis, Emmanuel. 2011. La Petite fabrique du spectateur. Être et devenir festivalier à Cannes et à Avignon. Avignon: Éditions universitaires d’Avignon.

Falicov, Tamara L. 2010. “Migrating from South to North: The Role of Film Festivals in Funding and Shaping Global South Film and Video.” Em Locating Migrating Media, editado por Greg Elmer, Charles H. Davis, Janine Marchessault, e John McCollough, 3-22. Lanham: Lexington Books.

Falicov, Tamara L. 2017. “Film Funding Opportunities for Latin American Filmmakers: A Case for Further North-South Collaboration in Training and Film Festival Initiatives.” Em A Companion to Latin American Cinema, editado por María M. Delgado, Stephen M. Hart, e Randan Johnson, 85-98. Chichester, W. Sussex: Wiley Blackwell.

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Frohlick, Susan. 2005. “‘That Playfulness of white masculinity’: Mediating masculinities and adventure at mountain film festivals.” Tourist Studies 5: 175-93.

García Rivas, Carlos Daniel. 2020. “Estrategias de vigilancia policial en el Festival Internacional de Cine de Mar del Plata entre 1959 y 1960.” Comunicación y Medios 42: 85-95.

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Publicado
2021-01-23