Effets de présence, délocalisations et relocalisations des images : le médium en quête d’espace ?

Autores/as

  • Benjamin Philippe Léon Université Sorbonne Nouvelle - Paris 3, UFR Arts & Medias, Department of Cinema Studies (IRCAV), 75231 Paris Cedex 05

DOI:

https://doi.org/10.14591/aniki.v1n2.87

Resumen

Retour sur la “XII MAGIS - Gorizia International Film Studies Spring School”, qui aura permis durant une semaine d’élaborer une somme de réflexions autour des images à l’heure du contemporain. Une conférence aux réflexions stimulantes et stimulées par l’approche plurielle du “FilmForum”.

Biografía del autor/a

Benjamin Philippe Léon, Université Sorbonne Nouvelle - Paris 3, UFR Arts & Medias, Department of Cinema Studies (IRCAV), 75231 Paris Cedex 05

Benjamin Léon is a PhD candidate in Film and Visual Studies and a Teaching Instructor at the University of Sorbonne Nouvelle – Paris 3. His thesis talk about plasticity effects on frame in Andy Warhol’s work and American experimental cinema (1950-1970). It’s a reflection between different art mediums: painting, photography and cinema with frame (device) and performance (body) in the image space (perception) as the main topic. He contributes to various issues (Vertigo, Cinema & Cie) and his a member of the editorial staff « La Furia Umana ». He wrote some articles about experimental cinema such like Jonas Mekas, Andy Warhol, Paul Sharits and Stan Brakhage. More recently, he focuses his work on the relationship between cinema and contemporary art, with the medium theory as the main paradigm.
Capa da edição

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Publicado

2014-06-21

Número

Vol. 1 Núm. 2 (2014): Arte e cinema

Sección

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