On The Migrant Image

Autores/as

  • Ana Balona de Oliveira Postdoctoral Research Fellow, Centre for Comparative Studies, University of Lisbon (CEC-FLUL)/Institute for Art History, New University of Lisbon (IHA-FCSH-UNL) & Visiting Lecturer, Courtauld Institute of Art, University of London

DOI:

https://doi.org/10.14591/aniki.v1n1.50

Resumen

Book review of The Migrant Image: The Art and Politics of Documentary during Global Crisis, by TJ Demos (2013).

Biografía del autor/a

Ana Balona de Oliveira, Postdoctoral Research Fellow, Centre for Comparative Studies, University of Lisbon (CEC-FLUL)/Institute for Art History, New University of Lisbon (IHA-FCSH-UNL) & Visiting Lecturer, Courtauld Institute of Art, University of London

Ana Balona de Oliveira (PhD, Courtauld Institute of Art, University of London, 2012) is a Postdoctoral Researcher at the Centre for Comparative Studies, University of Lisbon and at the Institute for Art History, New University of Lisbon. She is also a Visiting Lecturer at the Courtauld Institute of Art, University of London and an independent curator. Ana wrote her doctoral thesis on the artwork of the Portuguese and South African artist Ângela Ferreira (b. Maputo, Mozambique, 1958), lectured and published extensively on identity and difference, displacement and migration in contemporary art and is currently researching narratives of empire, postcolonialism, migration and globalization in contemporary art from 'Lusophone' spaces and beyond.
Capa da edição

Descargas

Publicado

2014-01-28

Número

Vol. 1 Núm. 1 (2014): Cinefilia digital

Sección

Reseñas