Psychological landscape films: narrative and stylistic approaches

  • David Melbye United International College, Division of Culture and Creativity, Cinema and Television Programme, 519085, Zhuhai

Resumen

This article serves to broadly address formalist approaches to rendering natural settings psychological in cinema, or, in other words, mobilizing landscapes to function beyond their usual function as narrative backdrop. By “formalist” it should be understood that such an approach to visual representation is both inherently aggressive and experimental, where one implies the other, especially when compared to more realist modes of expression. Instead of human characters portrayed within an authenticating wilderness, as in the typical classical Hollywood Western, the precise topography of the landscape becomes reflective of a particular human consciousness.

Biografía del autor/a

David Melbye, United International College, Division of Culture and Creativity, Cinema and Television Programme, 519085, Zhuhai
David Melbye is currently serving as an Associate Professor in the Cinema and Television Programme at United International College in Zhuhai, China. So far, he has published two books, Landscape Allegory in Cinema (Palgrave 2010), and, more recently, Irony in The Twilight Zone: How the Series Critiqued Postwar American Culture (Rowman 2015). He served as a Fulbright Professor/Scholar at the Royal Film Commission in Jordan, and earned his doctorate at the University of Southern California’s School of Cinematic Arts.
Publicado
2016-11-08
Sección
Dossier temático