Disposition & Duality: Notes on Marie-Claire Blais & Pascal Grandmaison’s 'La Vie Abstraite'

Autores/as

  • Miriam De Rosa Università Cattolica del Sacro Cuore, Department of Communication and Performing Arts), 20123 Milan

DOI:

https://doi.org/10.14591/aniki.v3n2.259

Palabras clave:

gallery film, dispositif, space

Resumen

The text provides an account of Blais & Grandmaison's exhibition La vie abstraite, which took place at Galerie René Blouin in Montréal in spring 2016.

Biografía del autor/a

Miriam De Rosa, Università Cattolica del Sacro Cuore, Department of Communication and Performing Arts), 20123 Milan

Miriam De Rosa lectures in Film Studies at UCSC, Milan. In the winter of 2014 she was DAAD Research Fellow at Goethe University Frankfurt for the project Cinema and the Gallery: Encounters in the Post-media Age. She is the author of Cinema e postmedia (2013) and has published extensively on cinema and visual arts, cinematic experience, medium specificity, and the relationship among subject, space, and filmic device. She coedited the special issue of Cinéma&Cie devoted to postcinema published in the fall 2016.

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Publicado

2016-06-17

Número

Vol. 3 Núm. 2 (2016): Outros filmes

Sección

Exposiciones y festivales de cine