Dislocated culture: On an exhibition of Eduardo Coutinho's work

Authors

  • Vitor Tomaz Zan Université Sorbonne Nouvelle - Paris 3, École Doctorale Arts et Médias, IRCAV, 75005, Paris
  • Edson Costa Jr Universidade de São Paulo, Departamento de Artes Plásticas da Escola de Comunicações e Artes da USP, 05508-020, São Paulo

DOI:

https://doi.org/10.14591/aniki.v7n2.702

Keywords:

Eduardo Coutinho, culture, Ocupação Itaú Cultural

Abstract

In 2019, the project Ocupação Itaú Cultural dedicated an exhibition to Eduardo Coutinho. This review revisits various aspects of this project, with an emphasis on the exhibition held in São Paulo. Additionally, it proposes a broader reflection on the role of culture within the current Brazilian context.

Author Biographies

Vitor Tomaz Zan, Université Sorbonne Nouvelle - Paris 3, École Doctorale Arts et Médias, IRCAV, 75005, Paris

Vitor Zan holds a Bachelor's degree in Frilm from Universidade Federal de Santa Catarina, a Master degree and PhD in Film from Sorbonne-Nouvelle, Paris III.

Edson Costa Jr, Universidade de São Paulo, Departamento de Artes Plásticas da Escola de Comunicações e Artes da USP, 05508-020, São Paulo

Postdoctoral researcher. Graduated in Comunicação Social - Jornalismo from Universidade Federal do Piauí (2009), Master degree in Comunication from Universidade Federal de São Carlos (2013) and doctorate in Meios e Processos Audiovisuais from Universidade de São Paulo (2018). Has experience in Comunication, focusing on Comunication, acting on the following subjects: film aesthetic, film theory, body, modern cinema, experimental cinema, contemporary art.

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Published

2020-07-14

Issue

Vol. 7 No. 2 (2020): Filmmakers’ theory: an approach to the study of cinema

Section

Exhibitions and film festivals