The confined time: A review of the exhibition "Time Machine: Cinematic Temporalities"

Authors

  • Raphaël Yung Mariano Université Paris 8 Vincennes - Saint-Denis École Doctorale Esthétique, Sciences et Technologie des Arts (EDESTA) Laboratoire Arts des images et art contemporain (AIAC) EA 4010, 93526 SAINT-DENIS

DOI:

https://doi.org/10.14591/aniki.v7n2.695

Keywords:

Jean Epstein, Le Tempestaire, time, exhibition, cinema, manipulation

Abstract

This is a review of the exhibition Time Machine : Cinematic Temporalities during the period of confinement. This singular situation offers another relation to time and space that the author explores in a personal reflection based on the unseen exhibition.  

 

Author Biography

Raphaël Yung Mariano, Université Paris 8 Vincennes - Saint-Denis École Doctorale Esthétique, Sciences et Technologie des Arts (EDESTA) Laboratoire Arts des images et art contemporain (AIAC) EA 4010, 93526 SAINT-DENIS

After studying film aesthetics at the University Paris 3 Sorbonne-Nouvelle, Raphaël Yung Mariano published the book Scènes de la vie familiale. Ingmar Bergman, published by L'Harmattan in 2017. Currently lecturer at the Cinémathèque française and the Maison Européenne de la Photographie, he is also a doctoral student and lecturer at the University Paris 8 Vincennes-Saint-Denis in "Aesthetics and Art Science". His research focuses on the existential dimension of photography. He has written articles on Oscar Munoz, Denis Roche, Roman Opalka, Alix Cléo Roubaud, always from a perspective on the threshold of cinema and photography.

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Published

2020-07-14

Issue

Vol. 7 No. 2 (2020): Filmmakers’ theory: an approach to the study of cinema

Section

Exhibitions and film festivals