'Affiches cubaines. Révolution et cinéma. 1959-2019'. An exhibition at the Museum of Decorative Arts (Paris)

  • Raquel Schefer Universidade Sorbonne Nouvelle - Paris 3, 75005, Paris
DOI: https://doi.org/10.14591/aniki.v7n1.658
Keywords: Cuban Design, Cinema and Revolution, ICAIC, Tricontinental Aesthetics

Abstract

A critical review of the exhibition “Affiches cubaines. Révolution et cinéma. 1959-2019,” commissioned by Amélie Gastaut, held at the Museum of Decorative Arts in Paris from October 2019 to February 2020. The exhibition gathers a set of revolutionary Cuban posters covering the sixty years of the Revolution and the ICAIC.

Author Biography

Raquel Schefer, Universidade Sorbonne Nouvelle - Paris 3, 75005, Paris

Raquel Schefer is a researcher, a filmmaker, and a film curator. She holds a Ph.D. in Film and Audiovisual Studies from the Sorbonne Nouvelle – Paris 3 University, with a dissertation on Mozambican revolutionary cinema, a Master in Documentary Cinema from the University of Cinema of Buenos Aires, and a degree in Communication Sciences from the New University of Lisbon

Adélia Sampaio
Published
2020-01-23
Issue
Vol 7 No 1 (2020): Women and space in contemporary cinema
Section
Exhibitions and film festivals