Dramaturgical aspects in a dance video mapping project: the case of ‘Espaço Tempo Movimento’ (ETM) project

Authors

  • Lenine Vasconcellos de Oliveira Universidade Federal do Rio de Janeiro, Escola de Educação Física e Desportos, Departamento de Arte Corporal, 21941-599, Rio de Janeiro

Keywords:

Dramaturgy, Dance Video Mapping, Transitoriness, Monumentality

Abstract

This article analyses the dramaturgy of dance video mapping “Espaço Tempo Movimento” (ETM), which took place in the Centro Coreográfico do Rio de Janeiro, in May 2016, using as parameters the monumentality of the support and the transitoriness of the audience. With the conceptual assistance of Roger Scruton, Georges Didi-Huberman and Hans Ulrich Gumbrecht, I analyse the dramaturgy of the scenes, from the thematic point of view of ‘beauty’, ‘tautological image’ and ‘presence’. A ‘vision from within’ was adopted to reflect on the creative process.

Author Biography

Lenine Vasconcellos de Oliveira, Universidade Federal do Rio de Janeiro, Escola de Educação Física e Desportos, Departamento de Arte Corporal, 21941-599, Rio de Janeiro

Professor responsible for the music disciplines at the dance courses from the Department of Body Art of the Federal University of Rio de Janeiro. Coordinator of the interdisciplinary research project Partitura Encenada (www.partituraencenada.com), dedicated to the investigation of creative processes in staging, triggered by the reading of musical scores. Doctor in performing arts, with research focused on the classical concert as a scenic show. Graduated in physics and master degrees in mechanical engineering with emphasis in room acoustics. Has training in conducting musical ensembles, theatrical direction and body expression for scene. Professional musician, instrumentalist, with experience as a soloist and in chamber music. Screenwriter of the video mapping “Espaço Tempo Movimento” (2016) and director of the scenic works “Ostinatos” (2018), “So many notes” (2018), “A Camarilha além da faixa” ( 2007) and “em forma sonata” (2006).

Adélia Sampaio

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Published

2020-01-22

Issue

Vol. 7 No. 1 (2020): Women and space in contemporary cinema

Section

Essays