Yvone Kane and the representations of the African past

  • Alexsandro de Sousa e Silva Universidade de São Paulo, Faculdade de Filosofia, Letras e Ciências Humanas, 05508-010, São Paulo
DOI: https://doi.org/10.14591/aniki.v4n2.311
Keywords: Cinema, Angola, Mozambique, Guinea-Bissau, Identity, Social imaginary, Politics

Abstract

Review of the film retrospective Mostra África(s). Cinema e revolução: as independências de Angola, Guiné-Bissau e Moçambique, em filmes de luta e memória (Caixa Belas Artes, São Paulo, 10 a 23 de novembro de 2016).

Author Biography

Alexsandro de Sousa e Silva, Universidade de São Paulo, Faculdade de Filosofia, Letras e Ciências Humanas, 05508-010, São Paulo

Alexsandro de Sousa e Silva has a BA and a degree in History (2011) and a MA in Social History (2015) from São Paulo University. His research interests include the relations between cinema and history in Latin American and in portuguese-speaking Africa.

Published
2017-05-27
Issue
Vol 4 No 2 (2017): Long duration
Section
Exhibitions and film festivals