'Noche es día' by Katia Maciel and André Parente: a reflection on dwelling

Authors

  • Alejandro Martín Maldonado Curator at the Museo La Tertulia, Cali

DOI:

https://doi.org/10.14591/aniki.v3n2.246

Keywords:

Katia Maciel, André Parente, curatorship, exhibition, experimental cinema, phantasmagoria

Abstract

The exhibition, exploring Katia Maciel and André Parente's work, consisted in a multiple refexion of the ways a couple's relationship manifests itself through architectural links.

Author Biography

Alejandro Martín Maldonado, Curator at the Museo La Tertulia, Cali

Alejandro Martín (Bogotá, 1975). Curator at the Museo de Arte Moderno La Tertulia, Cali. Winner of a Misol grant for the exhibition “El diablo probablemente” (2014). He was parto f the team of curators of “Waterweavers: The River in Contemporary Colombian Visual and Material Culture”, at the Bard Graduate Center (New York, 2014), “Viaje al fondo de Cuervo”, at Biblioteca Nacional (Bogotá, 2012) and “Malicia indígena”, at the Museo de Arte Moderno de Medellín (2011). With José Roca, he is the author of the catalogues Waterweavers: A Chronicle of Rivers (New York, 2014), Regina Silveira, Linha de sombra (Rio de Janeiro, 2009) and Muntadas: información, espacio, control (São Paulo, 2011). He was the editor of the portal ochoymedio.info (2002-2005), of the journal Piedepágina (2004–2007) and of the Biblioteca Virtual de la Biblioteca Luis Ángel Arango (2008–2013).

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Published

2016-06-17

Issue

Vol. 3 No. 2 (2016): Other films

Section

Exhibitions and film festivals