Conceptual Synchronicity: Intermedial Encounters Between Film, Video and Computer

Yvonne Spielmann

doi:10.14591/aniki.v2n1.125

Yvonne Spielmann Dean, Faculty of Fine Arts, Lasalle College of the Arts, 1 McNally St, Singapore 187940.

DOI: https://doi.org/10.14591/aniki.v2n1.125

Keywords: Paul Sharits, Stan Vanderbeek, Hollis Frampton, Steina Vasulka, Woody Vasulka, Jud Yalkut, David Hall, Expanded cinema, Video installation

Abstract

Extended and revised version of “Conceptual Synchronicity: Intermedial Encounters between Film, Video and Computer”, previously published in Expanded Cinema: Art, Performance, Film, edited by, A. L. Rees, Duncan White, Steven Ball and David Curtis (London: Tate Publishing, 2011), 194-201.

Author Biography

Yvonne Spielmann, Dean, Faculty of Fine Arts, Lasalle College of the Arts, 1 McNally St, Singapore 187940.

Yvonne Spielmann holds the 2011 Swedish Prize for Swedish-German scientific co-operation.

Milestones of publish research output are four authored monographs and about ninety single authored articles. Her book, “Video, the Reflexive Medium” (published by MIT Press 2008, Japanese edition by Sangen-sha Press 2011) was rewarded the 2009 Lewis Mumford Award for Outstanding Scholarship in the Ecology of Technics. Her most recent book “Hybrid Culture” was published in German by Suhrkamp Press in 2010, and in English from MIT Press in 2013. Professor Spielmann’s work has been published in German and English and has been translated into French, Polish, Croatian, Swedish, Japanese and Korean.

References

Frampton, Hollis. 2008. “Interview with Paul Sharits”. In Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973-1990, edited by Woody Vasulka and Peter Weibel, 280-291. Karlruhe: ZKM; Cambridge: MIT Press.

Sharits, Paul. 2008a. “N:O:T:H:I:N:G”. In Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973-1990, edited by Woody Vasulka and Peter Weibel, xx x. Karlruhe: ZKM; Cambridge: MIT Press.

Sharits, Paul. 2008b. “Sketch and instruction for the performance of the two screen loop projection Epileptic Seizure Comparison, 1976”. Buffalo Heads: Media Study, Media Practice, Media Pioneers, 1973-1990, edited by Woody Vasulka and Peter Weibel, xx x. Karlruhe: ZKM; Cambridge: MIT Press.

Sharits, Paul. 1978. “Filmography”. In Film Culture: Paul Sharits, 65-66: xx 121. Also in: Buffalo Heads, 342

Sharits, Paul. 1978. “From ‘Words Per Page’”. In The Avant-Garde Film. A Reader of Theory and Criticism, Anthology, edited by P.A. Sitney. XX-XX. New York: Film Culture/New York University Press.

Spielmann, Yvonne. 2007. “Paul Sharits: From Cinematic Movement to Non-directional Motion”. In Avant-Garde Film, edited by Alexander Graf and Dietrich Scheunemann, 197-215. Amsterdam: Rodopi.

Youngblood, Gene. 1970. Expanded Cinema. London: Studio Vista.

VanDerBeek, Stan. 2008. “‘Culture: Intercom’ and Expanded Cinema: A Proposal and Manifesto.” In Tanya Leighton, Art and the Moving Image. A Critical Reader, Tate: London.