Lumière Classics: Digital cinephilia and the heritage cinema
Abstract
The 16th edition of the Lumière Festival unveiled the programme of ‘New Restorations’ and ‘Treasures & Curiosities’ featured in the Lumière Classics section. Once again, the city of Lyon packed its cinemas to celebrate the excellence of the restoration of heritage film and its large connection with digital cinephilia.
References
Hagener, Malte e Valck, Marijke de. 2005. “Down With Cinephilia? Long Live Cinephilia? And Other Videosyncratic Pleasures”. Em Cinephilia. Movies, Love and Memory. 11-26. Amsterdam: Amsterdam University Press.
Hagener, Malte. 2014. “Cinephilia in the Age of the Post-Cinematographic”. Em Notebook. Cinephile Directors in Modern Times. 6-16. Amsterdam: Amsterdam University Press.
Fossati, Giovanna. 2017. Film Heritage Beyond the Digital Turn. Amsterdam: University of Amsterdam.
Frappat, Marie. 2016. Histoire(s) de la restauration des films. Paris: CNRS Éditions.
Valck, Marijke de. 2008. “’Screening’ the Future of Film Festivals?”. Film International. 4(6): 15-23. https://doi.org/10.1386/fiin.6.4.24.
Filmografia
The Search / Anjos Marcados. Dir. Fred Zinnemann. EUA, 1949. 105 min.
Rashomon / Às Portas do Inferno. Dir. Akira Kurosawa. Japão, 1950. 88 min.
Blackmail / Chantagem. Dir. Alfred Hitchcock. Reino Unido, 1929. 85 min.
High Noon / O Combóio Apitou Três Vezes. Dir. Fred Zinnemann. EUA, 1952. 85 min.
Julia. Dir. Fred Zinnemann. EUA, 1977. 118 min.
Le Dernier Souffle. Dir. Costa-Gavras. França, 2024. 100 min.
Menschen am Sonntag / People on Sunday. Dir. Robert Siodmak e Edgar G. Ulmer. Alemanha, 1930. 74 min.
The Men / O Desesperado. Dir. Fred Zinnemann. EUA, 1950. 87 min.
