Ruínas Modernistas, Arqueologias Fílmicas: 'A Free and Anonymous Monument', de Jane e Louise Wilson

Giuliana Bruno

doi:10.14591/aniki.v2n1.145

Giuliana Bruno Professor of Visual and Environmental Studies, Harvard University Carpenter Center for the Visual Arts 24 Quincy Street Cambridge, MA 02138

DOI: https://doi.org/10.14591/aniki.v2n1.145

Palavras-chave: Jane and Louise Wilson, A Free and Anonymous Monument, Victor Pasmore

Resumo

Tradução do texto originalmente publicado em Bruno, Giuliana. 2007. “Modernist Ruins, Filmic Archaeologies. Jane and Louise Wilson’s A Free and Anonymous Monument.” In Public Intimacy: Architecture and the Visual Arts, 43-86. Cambridge: MIT Press.

Biografia Autor

Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University Carpenter Center for the Visual Arts 24 Quincy Street Cambridge, MA 02138

Giuliana Bruno é Emmet Blakeney Gleason Professor of Visual and Environmental Studies.

Giuliana Bruno explora as ligações entre as artes visuais, a arquitetura e a imagem em movimento. O seu mais recente livro, Surface: Matters of Aesthetics, Materiality, and Media foi publicado pela University of Chicago Press em 2014 e vai ser traduzido para Chinês. O seu trabalho Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) ganhou em 2004 o Kraszna-Krausz Book Award in Culture and History – um prémio atribuído ao "melhor livro do mundo sobre a imagem em movimento" - e tem levado os estudos visuais para novos caminhos.

Referências

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Burnham, Nigel, and David Harrison. 2000. “Sixties 'concrete bungle' sculpture to be scrapped.” The Sunday Telegraph, July 16.

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