Acerca da Imagem Migrante

  • Ana Balona de Oliveira Postdoctoral Research Fellow, Centre for Comparative Studies, University of Lisbon (CEC-FLUL)/Institute for Art History, New University of Lisbon (IHA-FCSH-UNL) & Visiting Lecturer, Courtauld Institute of Art, University of London
DOI: https://doi.org/10.14591/aniki.v1n1.50

Resumo

Recensão crítica do livro The Migrant Image: The Art and Politics of Documentary during Global Crisis, de TJ Demos (2013).

Biografia Autor

Ana Balona de Oliveira, Postdoctoral Research Fellow, Centre for Comparative Studies, University of Lisbon (CEC-FLUL)/Institute for Art History, New University of Lisbon (IHA-FCSH-UNL) & Visiting Lecturer, Courtauld Institute of Art, University of London
Ana Balona de Oliveira (PhD, Courtauld Institute of Art, University of London, 2012) is a Postdoctoral Researcher at the Centre for Comparative Studies, University of Lisbon and at the Institute for Art History, New University of Lisbon. She is also a Visiting Lecturer at the Courtauld Institute of Art, University of London and an independent curator. Ana wrote her doctoral thesis on the artwork of the Portuguese and South African artist Ângela Ferreira (b. Maputo, Mozambique, 1958), lectured and published extensively on identity and difference, displacement and migration in contemporary art and is currently researching narratives of empire, postcolonialism, migration and globalization in contemporary art from 'Lusophone' spaces and beyond.
Capa da edição
Publicado
2014-01-28
Edição
v. 1 n. 1 (2014): Cinefilia digital
Secção
Recensões