Ruínas Modernistas, Arqueologias Fílmicas: 'A Free and Anonymous Monument', de Jane e Louise Wilson

  • Giuliana Bruno Professor of Visual and Environmental Studies, Harvard University Carpenter Center for the Visual Arts 24 Quincy Street Cambridge, MA 02138
Palavras-chave: Jane and Louise Wilson, A Free and Anonymous Monument, Victor Pasmore

Resumo

Tradução do texto originalmente publicado em Bruno, Giuliana. 2007. “Modernist Ruins, Filmic Archaeologies. Jane and Louise Wilson’s A Free and Anonymous Monument.” In Public Intimacy: Architecture and the Visual Arts, 43-86. Cambridge: MIT Press.

Biografia Autor

Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University Carpenter Center for the Visual Arts 24 Quincy Street Cambridge, MA 02138

Giuliana Bruno é Emmet Blakeney Gleason Professor of Visual and Environmental Studies.

Giuliana Bruno explora as ligações entre as artes visuais, a arquitetura e a imagem em movimento. O seu mais recente livro, Surface: Matters of Aesthetics, Materiality, and Media foi publicado pela University of Chicago Press em 2014 e vai ser traduzido para Chinês. O seu trabalho Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) ganhou em 2004 o Kraszna-Krausz Book Award in Culture and History – um prémio atribuído ao "melhor livro do mundo sobre a imagem em movimento" - e tem levado os estudos visuais para novos caminhos.

Referências

Baudelaire, Charles (1993). O pintor da vida moderna, trad. Teresa Cruz. Lisboa: Vega.

Bowness, Alan (1980). “Introduction,” in Victor Pasmore: With a Catalogue Raisonné of Paintings, Constructions and Graphics, 1926–1979, ed. Alan Bowness and Luigi Lambertini, 9-17, London: Thames and Hudson.

Burnham, Nigel, and David Harrison. 2000. “Sixties 'concrete bungle' sculpture to be scrapped.” The Sunday Telegraph, July 16.

Bruno, Giuliana. 2002. Atlas of Emotion: Journeys in Art, Architecture, and Film. London: Verso.

Corrin, Lisa. 1999. “In Stereoscopic Vision: A dialogue between Jane & Louise Wilson and Lisa Corrin,” in Jane & Louise Wilson: Stasi City, Gamma, Parliament, Las Vegas, Graveyard Time, ed. Lisa Corrin, 6-15. London: Serpentine Gallery.

Eisenstein, Sergei. 1989. “Montage and Architecture,” Assemblage 10: 111–131.

Giedion, Sigfried. 1962. Space, Time and Architecture. Cambridge: Harvard University Press.

Giedion, Sigfried. 1969. Mechanization Takes Command. New York: Norton.

Kern, Stephen. 1983. The Culture of Time and Space, 1880–1918. Cambridge: Harvard University Press.

Le Corbusier. 1964. Oeuvre complète, vol. 2. Edited by Willi Boesiger. Zurich: Editions Girsberger.

Lee, Pamela M. 1999. Objects to Be Destroyed: The Work of Gordon Matta-Clark. Cambridge: MIT Press.

Millar, Jeremy and Claire Doherty. 2000. Jane and Louise Wilson. London: Film and Video Umbrella.

Robbins, David, ed. 1990. The Independent Group: Postwar Britain and the Aesthetics of Plenty. Cambridge: MIT Press.

Riegl, Alois. 1985. Late Roman Art Industry [1901], trans. Rolf Winkes. Rome: Giorgio Bretschneider Editore.

Riegl, Alois. 1993. Problems of Style: Foundations for a History of Ornament (1893), trans. Evelyn Kain. Princeton: Princeton University Press.

Schjeldahl, Peter. 1999. “V.I.: Jane & Louise Wilson,” in Jane & Louise Wilson: Stasi City, Gamma, Parliament, Las Vegas, Graveyard Time, ed. Lisa Corrin, 4-5. London: Serpentine Gallery.

Polidori, Robert. 2003. Zones of Exclusion: Pripyat and Chernobyl. Göttingen: Steidl.

Publicado
2014-12-18
Secção
Dossier Temático