Ruínas Modernistas, Arqueologias Fílmicas: 'A Free and Anonymous Monument', de Jane e Louise Wilson

  • Giuliana Bruno Professor of Visual and Environmental Studies, Harvard University Carpenter Center for the Visual Arts 24 Quincy Street Cambridge, MA 02138

Résumé

Tradução do texto originalmente publicado em Bruno, Giuliana. 2007. “Modernist Ruins, Filmic Archaeologies. Jane and Louise Wilson’s A Free and Anonymous Monument.” In Public Intimacy: Architecture and the Visual Arts, 43-86. Cambridge: MIT Press.

Biographie de l'auteur

Giuliana Bruno, Professor of Visual and Environmental Studies, Harvard University Carpenter Center for the Visual Arts 24 Quincy Street Cambridge, MA 02138

Giuliana Bruno é Emmet Blakeney Gleason Professor of Visual and Environmental Studies.

Giuliana Bruno explora as ligações entre as artes visuais, a arquitetura e a imagem em movimento. O seu mais recente livro, Surface: Matters of Aesthetics, Materiality, and Media foi publicado pela University of Chicago Press em 2014 e vai ser traduzido para Chinês. O seu trabalho Atlas of Emotion: Journeys in Art, Architecture, and Film (Verso, 2002) ganhou em 2004 o Kraszna-Krausz Book Award in Culture and History – um prémio atribuído ao "melhor livro do mundo sobre a imagem em movimento" - e tem levado os estudos visuais para novos caminhos.

Références

Baudelaire, Charles (1993). O pintor da vida moderna, trad. Teresa Cruz. Lisboa: Vega.

Bowness, Alan (1980). “Introduction,” in Victor Pasmore: With a Catalogue Raisonné of Paintings, Constructions and Graphics, 1926–1979, ed. Alan Bowness and Luigi Lambertini, 9-17, London: Thames and Hudson.

Burnham, Nigel, and David Harrison. 2000. “Sixties 'concrete bungle' sculpture to be scrapped.” The Sunday Telegraph, July 16.

Bruno, Giuliana. 2002. Atlas of Emotion: Journeys in Art, Architecture, and Film. London: Verso.

Corrin, Lisa. 1999. “In Stereoscopic Vision: A dialogue between Jane & Louise Wilson and Lisa Corrin,” in Jane & Louise Wilson: Stasi City, Gamma, Parliament, Las Vegas, Graveyard Time, ed. Lisa Corrin, 6-15. London: Serpentine Gallery.

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Lee, Pamela M. 1999. Objects to Be Destroyed: The Work of Gordon Matta-Clark. Cambridge: MIT Press.

Millar, Jeremy and Claire Doherty. 2000. Jane and Louise Wilson. London: Film and Video Umbrella.

Robbins, David, ed. 1990. The Independent Group: Postwar Britain and the Aesthetics of Plenty. Cambridge: MIT Press.

Riegl, Alois. 1985. Late Roman Art Industry [1901], trans. Rolf Winkes. Rome: Giorgio Bretschneider Editore.

Riegl, Alois. 1993. Problems of Style: Foundations for a History of Ornament (1893), trans. Evelyn Kain. Princeton: Princeton University Press.

Schjeldahl, Peter. 1999. “V.I.: Jane & Louise Wilson,” in Jane & Louise Wilson: Stasi City, Gamma, Parliament, Las Vegas, Graveyard Time, ed. Lisa Corrin, 4-5. London: Serpentine Gallery.

Polidori, Robert. 2003. Zones of Exclusion: Pripyat and Chernobyl. Göttingen: Steidl.

Publiée
2014-12-18
Rubrique
Dossier thématique